Cet article a été écrit avec Mathys Rennela, initialement en anglais. Cette traduction française a été réalisée avec la collaboration de Clara Lévy.

Il existe des lien très forts entre l’art Noir et la “critical race theory” à travers le milieu intellectuel de la diaspora Noire. Le but de cet…


Co-written with Steph TJ

Our comprehension of the modern world is blurred by the erasure of the past. While researching the populist takeover of a coastal city facing the Adriatic during the volatile post-war period in Europe, we came across 20th century ideologies that explain a lot about the reactionary…


Co-written with Mathys Rennela

As Black intellectuals rarely live in a vacuum, it’s no surprise that there is a thread connecting Black art and Black critical theory throughout the years. The aim of this article is to clarify some of those intellectual connections in the context of dance music, and…


(Credits : Pictures from The Matrix directed by the Wachowskis 1999)

This is a follow up from my first essay “What is the future for music after COVID-19?” I was lucky to be able to exchange with DeForrest Brown, Jr. a New York-based theorist, journalist, and curator, with who I’m…


In this essay, I will try to highlight the contour of an alternative to the financialization of music. in a COVID world patience is running out, we have witnessed organizations and individuals who called themselves progressive dodging accountability when asked to take responsibility for their oppressive behavior. …


Le 1er bootcamp no-code se lance à Paris, idéal pour apprendre à construire son MVP ou se créer de solides bases en matière de bonnes pratiques et d’outils numériques.

Dans cet article Je vais vous présenter une nouvelle formation ambitieuse dédiée aux technologies No-Code et à la gestion de projet…

Jean-Hugues Kabuiku

Cultural Critic | Writer | Music Producer

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